Генетична специфіка кіно- й телесценарних форм

Abstract

The article is devoted to the issues of specificity of TV and cinema scripts and to the functional correlation between cinema, television amd literature. “The Passion”, Mel Gibbson’s screen version of the Biblical plotline having been taken as an example, the issue of a script as a reaction to the known text is studied. The question of literature as a script foretext is emphasised